A Drink and a Poem (Red Eye & Girls Bathing, Galway, 1965)

First Published on my old blog on June 23rd, 2016

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Note: First Published on my old blog on June 23rd, 2016

Girls Bathing, Galway, 1965

The swell foams where they float and crawl,
A catherine-wheel of arm and hand;
Each head bobs curtly as a football.
The yelps are faint here on the strand.

No milk-limbed Venus ever rose
Miraculous on this western shore.
A pirate queen in battle clothes
Is our sterner myth. The breakers pour

Themselves into themselves, the years
Shuttle through space invisibly.
Where crests unfurl like creamy beer
The queen’s clothes melt into the sea

And generations sighing in
The salt suds where the wave has crashed
Labour in fear of flesh and sin
For the time has been accomplished

As through the shallows in swimsuits,
Bare-legged, smooth-shouldered and long-backed,
They wade ashore with skips and shouts.
So Venus comes, matter-of-fact.
–Seamus Heaney

I have never seen this poem reprinted or anthologized. After it appeared in one of Heaney’s collections, A Door in the Dark (1969), it sort of just disappeared. I don’t know if it is because the poem was deemed politically uncomfortable. One might — just because of the title — claim that the poem objectifies women even if that is exactly the impulse it is rejecting. Or it could be the totally unknowable reference to the Irish goddess. Or maybe people just didn’t know what to do with it.

Heaney came of age between the poetic eras of dense Modernism and authors’ embarrassing contemplations of their own genitals. The taste-makers of those days were infamously tasteless,  so it is hardly surprising that they missed good things when they saw them — this poem included.

Like all sensible people, I don’t enjoy going to the beach.  I do, however, enjoy the depictions of bathing in art. I suppose everyone does, because in life beach-going is always a disappointment, but one never gets sun-burned, coated with greasy sunblock, or abraded by sand when contemplating a painting in a museum. It is a pure ideal experience — well almost. The closeness to the ideal always depends on the artist’s skill and situation. It is a classical ideal after all, and Ireland doesn’t lend itself the ideal of the Greeks and Italians, at least not at first glance.

Back in ‘07, and far from the shores of Galway, I briefly worked for the local Italian American Club as a daytime bartender, and took a liking to a group of elderly men who would come in early and hang out with each other. Every now and again one would order a Red Eye — a beer and a tomato juice. I think that they just wanted something to sip on without having to really drink. There would be no sense in asking them why they did it because they had this strange, almost aristocratic, attitude and assumed that people in-the-know knew and that everybody else was an idiot. They were not believers in any sort of explication, and never deigned to do so. As a person who explains things for a living I have come to admire this attitude.

Where Red Eyes came from, I have no idea. It certainly isn’t Italian and I doubt it is Irish. But it is the perfect thing when stranded on a beach, sitting in the shade, and waiting for a goddess to arise from the water.

Or not waiting for her to arise, although she might anyways.

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Notes:
* After writing this post I took the time to google the poem and found that it is commemorated on a plaque at the beach where it was written. I suppose that I should change the opening paragraph, but I doubt that I will.
* A rhyme is two different words phonetically alike from the last stressed vowel to the end of the word. Anyone care to guess which one bothers me?
* I do understand children liking the beach: I care nothing for swimming as an adult but what child doesn’t love digging giant holes in the sand? After the discovery of the periwinkle and the starfish the strand holds no wonder — and all that is left is the battering of each of the four elements in their least agreeable states.
* The old timers will hopefully get their own post later.
* The Internet thinks a Red Eye is something different, but the Internet is generally wrong.
* Let me preemptively not care that any of you self-righteous nudzhes object to my beginning sentences with the word ‘or.’
* Canadians add clam juice and call it “Clam-and-Beer.” The Canadians and their clammy tomato juice will return next week.

 

DEAR MR. SONDHEIM,

NOTE: this is an unrevised version of an entry from my old blog from August 12th, 2016

NOTE: this is an unrevised version of an entry from my old blog from August 12th, 2016   

I have become fascinated by a  60s TV special that you were part of  — an adaptation of John Collier’s Evening Primrose.  Collier was one of the greatest short story writers of the 20th century, and you, well I suspect that you don’t want to be flattered, but you are quite good yourself.

This should have been the first big feather in your cap.  You completely understood the story and used bits of Collier’s dialogue to great effect.  But there is a falling off after the first number.  It isn’t you of course.  The screen play is trash.  I don’t want  to spoil it for everyone else, but the brilliant sideways love story gets — well you know what happens. The very end is fine but the queer genius of the story is thrown out entirely and replaced with something barely plausible and trite.  I don’t think that the screen writer (or maybe some officious producer) knew what the story was about, and ruined it, or, if he did understand, he might have thought that  it was too edgy for viewers.

These are old complaints I am sure.  And I know that you are 86 and semi-retired.  Nineteen sixty-six must seem like a thousand years ago, but, for the sake of the rest of us, would you mind writing a few songs to go along with the proper plot of the story?  If you like, go right ahead and someone else can tidy up the script.  Certainly I want that person to be me, but anyone on earth would do it if you asked (remember though, if by any chance they do turn you down, you have a volunteer).

Collier’s story has the quality of earthy unreality that you handle so well.  You did it in Into the Woods, and Sweeney Todd.  Please do it here.  I heard a rumor that you were doing another version of Road Show.  I love that production.  Leave it as it is.  The public should come around eventually.

Just give us, not the Primrose that we have, and certainly not the Primrose we deserve, but the Primrose that only you can deliver.

With great admiration,

Thomas Olivieri, August 2016

 

 

Tags: Officious Dolts, Open Letters, Road Show, Passion